YLÇ632 - ART PHILOSOPHY II
Course Name | Code | Semester | Theory (hours/week) |
Application (hours/week) |
Credit | ECTS |
---|---|---|---|---|---|---|
ART PHILOSOPHY II | YLÇ632 | 2nd Semester | 2 | 0 | 2 | 6 |
Prequisites | ||||||
Course language | Turkish | |||||
Course type | Elective | |||||
Mode of Delivery | Face-to-Face | |||||
Learning and teaching strategies | Lecture Discussion Other: Presentation | |||||
Instructor (s) | Prof.Dr. İsmail Demirdöven | |||||
Course objective | Comprehending the meaning of studying art through philosophy, implementing this field to his/her own field, discussing the relation of the term ?art? with culture, to point out the importance of philosophy in art projects, and add context in these projects through philosophy. | |||||
Learning outcomes |
| |||||
Course Content | The definition of art as a human being activity. The term ?beautiful? and aesthetics. Certain art sights in the history of philosophy, Plato, Aristotle, Kant, Croce? | |||||
References | Yetişken, H.,Estetiğin ABC?si. İstanbul: Kabalcı Yayınları. May R.,Yaratma Cesareti. İstanbul: Metis Yayınları. Mengüşoğlu T.,Felsefeye Giriş. İstanbul: Remzi Kitabevi. |
Course outline weekly
Weeks | Topics |
---|---|
Week 1 | Reading |
Week 2 | Reading |
Week 3 | Reading |
Week 4 | Reading |
Week 5 | Reading |
Week 6 | Reading |
Week 7 | Midterm exam |
Week 8 | Reading |
Week 9 | Reading |
Week 10 | Reading |
Week 11 | Preparing report |
Week 12 | Studying for term paper |
Week 13 | Term paper |
Week 14 | Studying for Final Exam |
Week 15 | Studying for Final Exam |
Week 16 | Final Exam |
Assesment methods
Course activities | Number | Percentage |
---|---|---|
Attendance | 0 | 0 |
Laboratory | 0 | 0 |
Application | 0 | 0 |
Field activities | 0 | 0 |
Specific practical training | 0 | 0 |
Assignments | 0 | 0 |
Presentation | 0 | 0 |
Project | 0 | 0 |
Seminar | 0 | 0 |
Midterms | 1 | 25 |
Final exam | 1 | 50 |
Total | 75 | |
Percentage of semester activities contributing grade succes | 0 | 50 |
Percentage of final exam contributing grade succes | 0 | 50 |
Total | 100 |
WORKLOAD AND ECTS CALCULATION
Activities | Number | Duration (hour) | Total Work Load |
---|---|---|---|
Course Duration (x14) | 14 | 2 | 28 |
Laboratory | 0 | 0 | 0 |
Application | 0 | 0 | 0 |
Specific practical training | 0 | 0 | 0 |
Field activities | 0 | 0 | 0 |
Study Hours Out of Class (Preliminary work, reinforcement, ect) | 14 | 4 | 56 |
Presentation / Seminar Preparation | 0 | 0 | 0 |
Project | 0 | 0 | 0 |
Homework assignment | 0 | 0 | 0 |
Midterms (Study duration) | 1 | 15 | 15 |
Final Exam (Study duration) | 1 | 20 | 20 |
Total Workload | 30 | 41 | 119 |
Matrix Of The Course Learning Outcomes Versus Program Outcomes
D.9. Key Learning Outcomes | Contrubition level* | ||||
---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | |
1. They have theoretical and practical information about Baroque, Classical, Romantic and Modern Periods. | X | ||||
2. They have the knowledge to use theoretical and practical doctrines to use on new musical pieces. | X | ||||
3. They know the historical development about the their own instrument and other String instruments | X | ||||
4. They know the interaction of their own instrument with other String instruments. | X | ||||
5. They know the way to use the knowledge that have been obtained before during rendering musical pieces. | X | ||||
6. They know pedagogical and psychological approach required for teaching the information about their field | X | ||||
7. They can perform performance on the stage with solo or chamber music groups by using their advanced technical and practical knowledge | X | ||||
8. They have the ability to perform musical analyzing of the musical pieces they play, and add their own style in them. | X | ||||
9. They can produce unique ideas regarding their field and sub-disciplines, evidence and share them. | X | ||||
10. They can plan and manage concert, project. | X | ||||
11. They can express an opinion and discuss about a masterpiece. | X | ||||
12. They can share their musical pieces by adding unique styles in them in line with the knowledge, skill and reinforcement which have been obtained before | X | ||||
13. They can communicate and discuss both in written and verbal by using at least one foreign language. | X | ||||
14. They have the capability to use their skills for popularizing art and culture in society | X | ||||
15. Apart from principal musical pieces of their instrument repertory, they know about some different composers and musical pieces, and play them, as well. 16) They strengthen their knowledge regarding the history of String instruments, and they document this knowledge. | X |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest