OPR707 - PRACTICAL VOICE EDUCATION I
Course Name | Code | Semester | Theory (hours/week) |
Application (hours/week) |
Credit | ECTS |
---|---|---|---|---|---|---|
PRACTICAL VOICE EDUCATION I | OPR707 | 1st Semester | 1 | 2 | 2 | 6 |
Prequisites | Being Student of Opera Department | |||||
Course language | Turkish | |||||
Course type | Elective | |||||
Mode of Delivery | Face-to-Face | |||||
Learning and teaching strategies | Lecture Drill and Practice | |||||
Instructor (s) | Doç. Keriman DAVRAN | |||||
Course objective | Transfer of acquired technical and musical knowledge and skills to students on basic level | |||||
Learning outcomes |
| |||||
Course Content | Application of voice and breath techniques, stylistic knowledge and educational skills on students | |||||
References | Select Arie Antique, Baroque works, Art Songs, oratorio and opera arias |
Course outline weekly
Weeks | Topics |
---|---|
Week 1 | Appropriate selection of work for students, sharing information |
Week 2 | Appropriate selection of work for students, sharing information |
Week 3 | Application of appropriate vocal exercises on students under observance of course instructor according to student?s vocal abilities in order to enable easier singing and transfer of required stylistic particularities. |
Week 4 | Application of appropriate vocal exercises on students under observance of course instructor according to student?s vocal abilities in order to enable easier singing and transfer of required stylistic particularities. |
Week 5 | Application of appropriate vocal exercises on students under observance of course instructor according to student?s vocal abilities in order to enable easier singing and transfer of required stylistic particularities. |
Week 6 | Application of appropriate vocal exercises on students under observance of course instructor according to student?s vocal abilities in order to enable easier singing and transfer of required stylistic particularities. |
Week 7 | Application of appropriate vocal exercises on students under observance of course instructor according to student?s vocal abilities in order to enable easier singing and transfer of required stylistic particularities. |
Week 8 | Application of appropriate vocal exercises on students under observance of course instructor according to student?s vocal abilities in order to enable easier singing and transfer of required stylistic particularities. |
Week 9 | Midterm |
Week 10 | Application of practical vocal exercises on students under observance of course instructor in order to enable easier singing and application of acquired stylistic skills. |
Week 11 | Application of practical vocal exercises on students under observance of course instructor in order to enable easier singing and application of acquired stylistic skills. |
Week 12 | Application of practical vocal exercises on students under observance of course instructor in order to enable easier singing and application of acquired stylistic skills. |
Week 13 | Application of practical vocal exercises on students under observance of course instructor in order to enable easier singing and application of acquired stylistic skills. |
Week 14 | Application of practical vocal exercises on students under observance of course instructor in order to enable easier singing and application of acquired stylistic skills. |
Week 15 | Application of practical vocal exercises on students under observance of course instructor in order to enable easier singing and application of acquired stylistic skills. |
Week 16 | Final Exam |
Assesment methods
Course activities | Number | Percentage |
---|---|---|
Attendance | 0 | 0 |
Laboratory | 0 | 0 |
Application | 0 | 0 |
Field activities | 0 | 0 |
Specific practical training | 0 | 0 |
Assignments | 0 | 0 |
Presentation | 0 | 0 |
Project | 0 | 0 |
Seminar | 0 | 0 |
Midterms | 1 | 40 |
Final exam | 1 | 60 |
Total | 100 | |
Percentage of semester activities contributing grade succes | 1 | 40 |
Percentage of final exam contributing grade succes | 1 | 60 |
Total | 100 |
WORKLOAD AND ECTS CALCULATION
Activities | Number | Duration (hour) | Total Work Load |
---|---|---|---|
Course Duration (x14) | 14 | 3 | 42 |
Laboratory | 0 | 0 | 0 |
Application | 14 | 1 | 14 |
Specific practical training | 0 | 0 | 0 |
Field activities | 0 | 0 | 0 |
Study Hours Out of Class (Preliminary work, reinforcement, ect) | 14 | 6 | 84 |
Presentation / Seminar Preparation | 0 | 0 | 0 |
Project | 0 | 0 | 0 |
Homework assignment | 8 | 3 | 24 |
Midterms (Study duration) | 1 | 8 | 8 |
Final Exam (Study duration) | 1 | 10 | 10 |
Total Workload | 52 | 31 | 182 |
Matrix Of The Course Learning Outcomes Versus Program Outcomes
D.9. Key Learning Outcomes | Contrubition level* | ||||
---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | |
1. Top level knowledge of advanced techniques and methods in the field of opera. | X | ||||
2. Knowledge of how to assess, discuss and manage the position of the Art of Opera in the fields of society, culture, art, politics and economy. | X | ||||
3. Skill of using voice techniques on expert level, performing and transferring them. | X | ||||
4. Participating in active and unique development of performing and interpretation techniques, knowledge and methods based on research and productive ideas in accordance with acquired knowledge and skills. | X | ||||
5. Competency in effective planning and managing projects in the field of opera singing. | X | ||||
6. Effective use of assessment, performance and academic educational skills. | X | ||||
7. Interpretation of music uniquely and accepted and valued by international artistic institutions. | X | ||||
8. Interchange of based on academic literature and performance with public and active contribution to public awareness of the Art of Opera. | X |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest