RES723 - PRINTMAKING I

Course Name Code Semester Theory
(hours/week)		 Application
(hours/week)		 Credit ECTS
PRINTMAKING I RES723 1st Semester 2 2 3 10
PrequisitesA file describing previous experience in printmaking
Course languageTurkish
Course typeElective 
Mode of DeliveryFace-to-Face 
Learning and teaching strategiesLecture
Drill and Practice
 
Instructor (s)Assoc. Prof. Hasan Kıran 
Course objectiveThe objective of the course is to investigate the limits of printmaking and produce projects with students who have theoretical and practical knowledge and experience on printing techniques, to search for possibilities of interpreting these projects together with different techniques ranging from installations to video performances and creating a memory in printmaking by writing papers on how an artist transforms an object and a technique according to the needs of an intellectual subject, and how he justifies this transformation. Introducing the experimental interpretations of printmaking to the Turkish art scene. 
Learning outcomes
  1. On competing this course the student will; Find the opportunity to produce works, studying contemporary interpretations of printmaking and forcing the limits of printmaking;
  2. ; be able to express personal ideas and interact in an enviroment based on the principle of mutual learning;
  3. be able to focus thoughts on the meaning of reproducing an image and find a platform to have intellectual discussions through various texts on printmaking;
  4. ; be able to present his projects; be able to work on experimental printing techniques, find the opportunity to exhibit his works in an art gallery and share them with the public.
Course ContentDetermining the approaches to print art and the methods to be used in the course with the students through discussions on contemporary interpretations of print techniques. Exhibiting the printwork created as a result of the exchange of ideas and brainstorming, also writing papers on the formal and conceptual meaning of the work and thus circulate an intellectual view of print art in another channel. 
References. POGUE, Dwight, Printmaking Revolution, Watson-Guptill, May 2012
. GRAVER, Mark. Non-toxic Printmaking, A & C Black Publishers Ltd, 2011
. HOWARD, Keith.The Contemporary Printmaker, New York: Write-Cross Press, 2003
. ADAM, Robert & ROBERTSON, Carol. Screenprinting: The Complete Water-based System, London, Thames & Hudson, 2003
. WELDEN, Dan & MUÄ°R Pauline, Printmakig in the Sun, Hampton Editions Ltd. 2001
. George F Roberts, Polyester Plate Lithography for Fine Artists, 2001
 

Course outline weekly

WeeksTopics
Week 1Discusion Platform: Discussion sessions based on the principle of exchanging ideas and mutual learning, for deciding on the printing techniques and the project
Week 2Discusion Platform: Discussion sessions based on the principle of exchanging ideas and mutual learning, for deciding on the printing techniques and the project
Week 3Discusion Platform: Discussion sessions based on the principle of exchanging ideas and mutual learning, for deciding on the printing techniques and the project
Week 4Discusion Platform: Discussion sessions based on the principle of exchanging ideas and mutual learning, for deciding on the printing techniques and the project
Week 5Discusion Platform: Discussion sessions based on the principle of exchanging ideas and mutual learning, for deciding on the printing techniques and the project
Week 6Midterm Exam
Week 7Printing of the decided project.
Week 8Printing of the decided project.
Week 9Printing of the decided project.
Week 10Workshop or seminar by an artist who is an expert of or experienced in printmaking
Week 11Midterm Exam
Week 12Printing of the decided project.
Week 13Printing of the decided project.
Week 14Printing of the decided project.
Week 15
Week 16Final exam

Assesment methods

Course activitiesNumberPercentage
Attendance00
Laboratory00
Application120
Field activities00
Specific practical training00
Assignments00
Presentation110
Project00
Seminar00
Midterms220
Final exam150
Total100
Percentage of semester activities contributing grade succes250
Percentage of final exam contributing grade succes150
Total100

WORKLOAD AND ECTS CALCULATION

Activities Number Duration (hour) Total Work Load
Course Duration (x14) 14 6 84
Laboratory 0 0 0
Application14684
Specific practical training000
Field activities000
Study Hours Out of Class (Preliminary work, reinforcement, ect)14456
Presentation / Seminar Preparation12224
Project000
Homework assignment000
Midterms (Study duration)10110
Final Exam (Study duration) 14342
Total Workload7822300

Matrix Of The Course Learning Outcomes Versus Program Outcomes

D.9. Key Learning OutcomesContrubition level*
12345
1. Knows and advances progressive research methods of his art practice on an academical level.    X
2. Has knowledge and understanding of art theory and art practice on a level that allows him to discuss and influence all concepts and theories of art.    X
3. Contributes to the development of knowledge and creative applications in his field through progressive research methods.    X
4. Has the ability to share original works of his field with the public and to evaluate the results.    X
5. Advances the knowledge, method and techniques of his field through original thought and research, contributing to the arts.   X 
6. Using his creativity to the fullest, creates original artworks qualified for evaluation by art and science committees.    X
7. Communicates his knowledge and opinions effectively to the experts of his field, can initiate and direct discussions and develop ideas and methods at national or international panel discussions, symposiums or debates.X    
8. Conducts applications that will contribute to the advancement of arts and culture.   X 
9. Uses academical teaching, evaluation and supervision skills effectively in his field. X   

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest